DIEZEL

Hinnaston Löydät TÄÄLTÄ

VH4/VH4S

Launched in 1994 the VH4 was a milestone in guitar amplification. The head has a powerful 100 Watt section, 4 individual preamps, each with individual equalization and volume/gain controls and is fully midi switchable. At that time that was unique - a head which replaced refridgerator sized racks. Additionally the VH4 has serial and parallel loops and the so called channel inserts to add pedals specifically for each channel, like a analogue chorus just for clean or a compressor for crunch.

* The four preamps are: clean, crunch, mega and lead. The clean channel (additional bright switch) has the Diezel-typical HiFi-clean, but with its gain pot is able to reproduce the powerful and warmer Hiwatt territory as well.

* The crunch channel (also with bright switch) starts where the clean ends: warm, powerful clean sounds. Variation of the controls (volume, gain) will open the amp to sonic dimensions of semi-crunch and full crunch sounds.

* The mega channel is the typical Diezel trademark sound. Nuff said. Try it, love it.

* The lead channel starts, where the mega ends: more compression, more smoothness - a singing/screaming lead at its best.

The VH4 is the ultimate sound machine for numerous styles. With its deep section also suitable for many heavier styles, but also the perfect central for Top 40 guitarists looking for the whole spectrum of guitar sounds from yetsreday to today. Still a masterpiece - the VH4.

HERBERT

. . . is a 6-power tube guitar amplifier head. It features 3 channels, for 3 distinct different guitar sounds.

It's main difference from the VH4 models are in voicing, circuit design, and general layout. Overall the Herbert has a more familiar, slightly looser feel than the VH4, without losing much of the Diezel signature definition and tightness. Simply put, the amp is a player's amp, forgiving and ready for whatever one's soul and mood desires.

Channels

* Channel one produces a warm and sparkly clean sound, reminiscent of a piano,. It has immense overhead, whenever a very loud, but crystal clear clean tone is desired.

* Channel two is a dual purpose channel, it's two voicings can be selected with a toggle switch. The (-) mode of this channel has dynamics to range from a vintage type clean sound to a broad crunch. The (+) mode of this channel offers similar voice, but much more gain. Both modes provide ample pick sensitivity.

* Channel three offers a high gain structure, but again with very good pick sensitivity and easy control. The distortion structure is transparent, but yet percussive and brutal.

Herbert Amplifiers have a selectable mid cut feature, assignable to all channels. This adds tremendously to the versatility of the amp. The mid cut feature has a compensation control called "level". This allows the guitar volume to be compensated in the event of the mid cut being engaged in mid song.Herbert's master section features dual volume controls, and global presence and deep control knobs. Master effects loops are switch-able serial loop, parallel loop, and serial loop.

EINSTEIN

Introduced in 2005, Einstein is a small sized head or combo with four sounds located in two channels. It switches without midi, but comes with two loops and a recording output, that can be hooked directly to your mixing console or PA. It has two switchable master volumes, who expand the sonic abilities further.

The sounds are a sparkling clean, a pretty vintage sounding crunch (goes from SRV to AC/DC) and the typical Diezel mega-crunch of mode three in the first channel.

The lead, the unique sound-mode of channel two, is fluid and is able to make you and your guitar either sing or cry, either scream or shout.

Einstein is avalable in three different configurations:

- 100 Watt head

- 50 Watt head

- 1x12" 50 Watt combo (with reverb, Celestion V30 speaker)

All models include biasing testpoints for external biasing with a multimeter and a dual footswitch (combo: two footswitches).